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Largely debuting via this album,  Snoop also raps this song's hookwhich reduces "bitches" to performing fellatio and which fellow guest rapper Daz 's verse heralds as "the anthem. A bandmate Eazy-E as a "bitch,"  who allegedly cheated Dre of money, and to incidentally call N. A's manager Jerry Hellerallegedly complicit, "a white bitch.
In an era when popular songs still idealized women,  this song appalled many. Delores Tucker largely targeted this song, album, and record label. A, into an urban socialite, threatening violence only to guard his own lifestyle of leisure and indulgence. Social critics alleging adverse cultural effects by gangsta rap have recurrently indicted this song.
InIce T 's song Orlando morning smoke nd fuck session 6 in the Mornin' ," diverting from electro rap and "funk hop" some fanfare in the Los Angeles area's rap scene, was gangsta rap 's inaugural anthem, reaching gold sales. A recast gangsta rap into a grim, menacing presentation. A took gangsta rap to platinum salesbut disbanded in once primary record producer Dr. Dre left. A's brash personaeDre held creative control and preeminent industry cachet. Dre wanted to only produce, but his ghostwriter the D. Assisted by Daz and by Warren G on drum programming and sampling classics,  Dre culled from funk and soul musicespecially funk's subgenre P-funkto shape a new sound,  casting a new aura: gangsta funk, G-funk.
Dre's debut solo album The Chronic. In the album's issue, its final listed track is "The Roach," subtitled " The Chronic Outro,"  plus a long silence. So I stepped in the doorway and I could hear what they were trying to do. I said, 'Man, look out, y'all trying to do this. Via the funk group Ohio Players ' single " Funky Worm ," such "high Moog part" is nicknamed "the funky worm," made on a Moog synthesizerwhich Wolfe had bought as requested by Dre to emulate Bernie Worrell 's otherworldly Parliament — Funkadelic or P-Funk sounds.
Dre's verse was written Orlando morning smoke nd fuck session the D. In Aprilunheard since N. A's May album and breakup, Dr. Dre reemerged by a debut solo single— title track to actor Laurence Fishburne 's film Deep Cover —while debuting a guest but in essence lead rapper, an instant rap sensation, Snoop Doggy Dogg. Producer Dre links vocals of the four "Bitches Ain't Shit" male rappers without missing a beat—effecting teamwork, like a tag team  —Snoop's hook of 4 bars twice, Dre's verse of 16 barsDaz's verse of 8 bars, Snoop's hook of 4 bars once, Kurupt's verse of 12 bars, Snoop's verse of 22 bars, and Snoop's hook of 4 bars twice.
During the latter two of the song's three hook sections, a nondescript but male voice, whispering below Snoop's vocals, incessantly chimes, "Bitches ain't shit"—at least twice per bar—fleeting across the stereo fieldvoicing on the left, then on the right, then in the center, back and forth.
After the song's final hook Orlando morning smoke nd fuck session, rapper Dre, silent since the first verse, reenters on the next beat, starting the next bar by starkly deadpanning, "Bitches ain't shit. In vocal metreor timing of stresses, which often rhyme, the rap verses mostly include stress on the bar's last beat, the four count, whereas Jewell's singing most stresses the first beat, the one count, the strongest bass and only cymbal attack. In four straight bars, she stresses on beat one the line's last word when belting, "And I don't give a fuck!
First verse Dre : Promptly after Snoop opens with the hook,  Dre narrates a personal tale of a specific "bitch"—a man who allegedly Orlando morning smoke nd fuck session Dre's money—until, closing the "real conversation," Dre calls a "pass to Daz. Second verse Daz : Off and rapping before Dre silences, Daz exploits "hos" and grows camaraderie, "chilling with your homies and shit, and have my niggas kick the anthem like this," Snoop's immediate hook recital.
Third verse Kurupt : Picking up there, Kurupt tersely adds to the hook and then, like Daz, refers generically—"bitches" or "hos" or "tricks"—ultimately closing at a brag, "turning them trick-ass hos the fuck out, now. Fourth verse Snoop : Seizing the next beat, Snoop narrates just the second tale of a specific "bitch"—this one a woman, unfaithful—and then caps it with his third and final round of trumpeting the anthemic hook.
Fifth verse Jewell : Dre returns to intermittently deadpan, "Bitches ain't shit," while Jewell—a woman, singing soulfully, then rapping vociferously  —stamps her endorsement, if mainly I don't give a fuck! Based on an early rap feud, Dre's verse never directly comments on women.
Rather, complementing brief skits and the single " Fuck wit Dre Day ," it is the album's final smear of Eazy-E.
A groupmate, Eazy had founded the group and owned its label, Ruthless Records. A among his clients. In real life, feeling underpaid as an N. A rapper and Ruthless Records' prime record producerDre, although ed as exclusive to the label,  left it. Although both touting hedonism,  Daz, operating systematically, like a gigolostalks profit and eyes leisure, whereas Kurupt, derisively mistrustful, chases sheer thrills. Here, women resemble a faceless breed of indulgent but disloyal nymphomaniacswho if shown men's affection would repay it by becoming the men's adversities as traitors and perhaps parasites.
Daz, before heralding Snoop's hook recital as "the anthem," advises best practices to grow relaxation time with "your homies. Kurupt, out to buy a 40 oz.
Snoop skims a saga of finding himself as "a nigga on sprung," "up in them guts like every single day," and "in love like a motherfucker," walking into his debacle with her, "a bitch named Mandy May. Snoop Eastwood. Dre," retrieving him from a jail stint, pose, "Snoop, we got news. Now wise to her "tricking" during his "county blues," Snoop, who "ain't been out a second," already must inflict some "chin checkin. Continuing to sing, she headily boasts selfdetermination, "hanging with Death Row like it ain't no thang," then the chime And I don't fuck a fuck!
Then rapping, she touts carnal skill "like a washing machine" and an oral appetite, if for "just Orlando morning smoke nd fuck session juicy ones," a topic closed by explicit detail. Since the November release of " Nuthin' but a 'G' Thang ," the album's singles, lyrically mild, pervading popular radio, shifted the rap genre's spotlight, for the first time, Orlando morning smoke nd fuck session the East Coast or New York to the West Coast.
Inethnomusicologist Kyra Gaunt observed, "The overwhelming perception of beats, rhythm, and the controversial use of sampling has led many to believe that rap is not music. How do you describe for a newspaper deadline the interaction of meter and rhythmic units of time and a particular flow of those rhythms that defines Snoop's style? How"—Gaunt posed—"do you describe the way rap music is constructed, when the general public does not accept, nor can they verify to themselves or others, whether it is music or not?
All inmany rap records gained the Parental Advisory label,  Newsweek smeared rappers as, in one reading, "ignorant black men who scream obscene threats,"  and in Florida a federal judge, triggering ban laws, ruled a rap album, As Nasty as They Wanna Beobscene, US history's first in music.
Officer,"   whose hook wishes a policeman's death.
Bushand the NRA. On the sidewalk at Madison Avenue, they laid, and some trampled, the boxes of gangsta rap. But inUS Congress had invited Butts to speak about gangsta rap. In SeptemberC. Delores Tuckerchair and founder of the National Political Congress of Black Womena lobbying group in Washington, DC, reentered the public eye to take up the battle against gangsta rap.
Too Short 's lyrics, smearing types of women since or even were comparatively vague. It became common to hear people say, almost apologetically, 'Oh, I just like the beat. Per ethnomusicologist Kyra Gaunt"examples of women defending their love of the beats, but Orlando morning smoke nd fuck session the rhymes," "leaves them looking like their participation is all about the body, not the lyrics.
Dream Hamptonprofiling Snoop in the September issue of rap's main magazine, The Sourcenoted, "Women like him because of, not in spite of, his verse on 'Bitches Ain't Shit'. This is Orlando morning smoke nd fuck session me. You know, I disagree! On the other hand, perhaps in the late s, Amy Cook, a researcher of theatre arts,  in analyzing dynamics of role casting, listens repeatedly, appraises her own cognition, and—despite others' likelihood to cast her as "one of the various 'bitches' " in the song—soon finds, "Even I, a white female, feel impelled to him, to sing along about how 'bitches ain't shit.
Instead, "singing along, I take on the position of the powerful, the angry, the sad, the person aggrieved by 'bitches. Vibe 's debut issue, Septemberhas Snoop in its cover story reasoning that his debut " Deep Cover " evaded such scandal as beset Ice T 's " Cop Killer " by his own hook's using a police code for homicide, Dre's carefully crafted "G"—a sociable street gangsta ever at leisure until violent on threats to his comforts and privileges  —spawned untold copycatting.
Dre left us on The Chronic "  —lays bare the basic values of the aura.
Ides malt liquor and Tanqueray Orlando morning smoke nd fuck session, in the s. Lil' Kim's song "Suck My Dick" is, in English professor Greg Thomas's view, an "anti-sexist faceoff" where Lil' Kim "talks back," delivering "a royal reply," to the "classic" and "flips its sexual script," such that ultimately, "Snoop and Dre get tricked themselves, lyrically. In verse two, Lil' Kim, supplier of many intoxicants, wants only money and cunnilingus, but "got this nigga now" who, tipsy, "asked me did I love him.
InLil' Kim reemerged with her third album and her "Queen B" personaleading American women's latest effort—perhaps first attempted near —to reappropriate the word bitch this time amid a lingering "Bitches Ain't Shit" ethos. DuringAmerican singer, songwriter, and pianist Ben Foldsan alternative rock artist, who in the s fronted the band Ben Folds Fivehad a new solo album, Songs for Silverman scheduled for April 26 release by Epic Records.
Folds sought in his rap collection, then, a classic more divergent from English poetry's classic metreiambic pentameter. Dre 's and Snoop Dogg 's lyrics"  —omitting the boasting and gloating in Daz's, Kurupt's, or Jewell's verses—and, Folds says, "just added pretty chords and one of my best melodies. The cover version, while using some of the rap song's lyrics, is a new composition. Thereafter, the rap song's Snoop verse—which is altogether 22 bars—lasts six more bars, which incidentally vary the bass riff.
In the rap song's Snoop verse, his journey toward her house and arrival with gun span two bars of bass riff absentthen his kicking in the door and shock by the man's identity span two bars of bass riff truncated —the bass strings indeed strummed, but at each bar's midpoint halted of resonance—and then his uncocking the pistol and forsaking "a bitch" span two bars of bass riff normalhow it remains in Snoop's immediate hook recital, then, and thereafter. Yet two choruses—the known Snoop hook  and a new Dre hook  —play in the cover.
His three, four count cues united singing of the Snoop chorus. Folds then sings Dre's verse again—yet atop brighter keys and livelier drums—this time with backing, accenting vocals. Dre's verse again closes as the Dre chorus. In the rap song, the beat after Snoop's final hook recital starts Dre's refrain, every fourth bar till song end, Bitches ain't shit. At the John Mayer concerts of up to 15 attendees, booing at the "Bitches Ain't Shit" rendition—whose genre, rock, renders even the word niggas ostentatious Orlando morning smoke nd fuck session —spurred Folds to replay it until the crowd quieted or, as Folds demanded, sang along.
There is something in the human psyche that just doubles down. The cover parodies the singer's own "whiteness,"  or his own frailty as well,  and may highlight the listener's. And they like it. Dre's album"a sumptuous slice of Olympic-level sexism that's almost as memorable as Ben Folds' emotional, piano-ballad version. They thought that was great. As ofFolds has had five songs on Billboard 's popular chartsstarting in with his earlier band's single " Brick "  and into Reynolds" and "Lin-Z,"  a rendition ironically sentimental,  "had spread by word of mouth and was now doubling my audiences," if regrettably increasing the percentage of "drunken college boys," Folds recalls.
In a issue of Bitcha writer sensed in Ben Folds fans a type "who feels threatened by feminist empowerment. By Decemberin preppy attire, tennis rackets in hand, the a capella choir Orlando morning smoke nd fuck session Columbia University's women's college, Barnard Collegesang Folds's "Bitches Ain't Shit. Dre cover, "way more problematic. Ina feminist encyclopedia on violence in media named rapper Eminem and singer Ben Folds as music's vents of "white boy pain"—an alleged "ideology" that "feminist backlash theory" depicts as white men's feeling victimized and attacking women, queers, and nonwhites for their progress since  —while Slate.
Anderson  reattributed Ben Folds success to "musical prowess," leftward "politics," and "identity" in "the trials and tribulations" of a straight, white male of middle class. Similarly offensive is Folds' slow, acoustic cover of Dr. Dre's 'Bitches Ain't Shit,' which was part of an ugly mini-trend in alternative pop.Orlando morning smoke nd fuck session
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